Collection: New Releases

Detroit's stalwart Kyle Hall is back on Apnea Records with "Crimson Clouds," his second release for the label following the acclaimed "Cosmic Touch." This acid-infused record is a tribute to Detroit's electronic legacy, drawing inspiration from the 90s sound of labels like Matrix and Underground Resistance, all while injecting Hall's unmistakable modern flair. Tracks like "Acid Tea" showcase Hall's acid-driven approach, delivering a dancefloor twister that's pure bliss. Meanwhile, "Nimbus" stands out with its syncopated rhythms and soulful synth lines, and "Told Them Before" brings raw, head-spinning techno energy to the forefront. With "Crimson Clouds," Kyle Hall delivers another essential record that bridges classic Detroit sounds with his unique modern twist. A must.

"For ALT015, we welcome the fabled DMX Krew for a second time. The Space Is Inside EP accurately reflects the artist's multiple decennia in the studio, shaping his aesthetics on the axis of electro, techno and synthpop. On Vicious Windows, a distinct lead pierces through the ominous, unison-drenched synths stabs and square waves. As the track progresses, we are kept on our toes by drum fills that sound like hydraulic valves releasing pressure and subtle detune slider fiddling. The hot and sweaty Bass box combines zap-like bass patterns with even more jittery synth work, while the titular woofer addresses us in a vocoder voice. Warm Places echoes Dutch West Coast, and although concise, sufficient melody and modulated drums are snuck in to immediately reveal the artist's hand. On Space Is Inside dark chords interplay with a wistful FM bass melody. Subtle bursts of synth sparkle keep everything rooted in silky melancholy. While the strings on Mental Disturbance are also gloomy, the lead is more frantic. The 303's modulation is constant, and slowly flanged snare drums try their best keeping it in line. Closer Tunnel Beneath Precinct 11 sure doesn't tone down either. The spooky, reverb-laden synth work collides with a dark, catchy bass, its cutoff and resonance knobs never left untouched. It closes down an EP of machine funk that covers a lot yet manages to shape into a satisfyingly cohesive arc."

The second volume of Byron the Aquarius 'Dey Know' on Phonogramme ! 4 serious grooves on green coloured vinyl....

Reworks by Another Taste of three tracks from Arp Frique & The Perpetual Singers. Space Grapes proudly presents Arp Frique's new project with The Perpetual Singers, featuring a range of stellar vocalists from LA to Amsterdam. For this one-off 12", Another Taste replayed & reworked 3 songs, giving them the live sound Space Grapes has become known for. Ready to be played out loud!

Ocean Moon - alias of producer Jon Tye (MLO). In addition to running the long-standing label Lo Recordings, Tye has recorded under various names and been involved in numerous projects over the past three decades. Keen fans of the label may also notice that this isn't Tye's first collaboration with MFM; his work during the 1990's as part of UK ambient group MLO captured our attention years ago, leading to the release of their retrospective album 'Oumuamua' in 2021. Releasing archival work alongside new material from an artist has been a fundamental aspect of Music From Memory's identity since we began the label, and is something that continues to bring us immense joy. With Jon continuing to produce work under a wide range of names to this day, the short step to releasing this new work was organic and natural. Working under the name Ocean Moon Jon carries echoes of his work with MLO into the modern day, weaving an ambient electronic music that radiates gentle positivity. The title 'Ways To The Deep Meadow' is inspired by the poem 'Universal Solar Calendar' written by poet, mystic, shaman, and visionary Angus Maclise. Maclise began as the percussionist in an early iteration of La Monte Young's Theatre Of Eternal Music and later played with the Velvet Underground before moving to Nepal, where he wrote and published an impressive collection of poetry and music. Side one of the album was created at a time when Tye had been exploring ideas around artificial intelligence, delving into books such as 'The Physics Of Immortality' by Frank J. Tippler, 'Novacene' by James Lovelock, and '12 Bytes' by Jeanette Winterson, seeking an alternative to the prevalent, negative views of AI. He was also inspired by the Buddhist perspective of AI as an integral part of consciousness evolution, as evidenced by the creation of a Buddhist robot that preaches in the Kodaiji Temple in Kyoto. Side two consists of two long-form pieces, one composed for Janine Rook's 'Made In Dreams' exhibition and the other for Vix Hill Ryder's 'Wild Edges' film. For 'Made In Dreams', text from the exhibition catalogue was processed via the Holly Herndon Holly + app to create an environment that is simultaneously otherworldly and warm. As with much of Jon's work, this music seeks to nurture an optimistic outlook in the listener, something he achieves here with subtlety and a truly delicate touch. The immersive ambient music of 'Ways To The Deep Meadow' reaches out to the listener like gentle trails of light, offering it's spells,invocations and enchantments to all who choose to listen. 'Ways To The Deep Meadow' will be released on 31st January 2025 on LP as well as digitally. Sleeve art and design by Michael Willis.

An EP of mind-massaging techno-trance futurism from Wata Igarashi. Capturing the energy of the UFO stages which indulge Dekmantel Festival's darker, experimental tastes, Igarashi turns out four shapely serotonin injections in his inimitable style. There's an immediacy to the Kaleidoscopic 12" which rushes into earshot the moment the EP fires up with the insistent acid throb of the title track. The eternal undulation of a 303 provides the bedrock for Igarashi's fluttering brushstrokes, while a tough yet supple beat charges underneath. Cascading arps are a core element of the richly melodic sound on this release, reaching measured peaks of ecstasy on 'The Sailage' without ever taking a cheap shortcut. Understated, emotionally-charged eloquence spills out of every sequence. There's a softer, blurry-eyed sentiment to the synth work on 'Steaming', while 'Interweave' tempers classic acid techno tropes with gaseous atmospherics. There are plenty of crisp edges in his tracks for the dancers to latch onto, but Igarashi specialises in a fluid motion that encourages less thinking and more feeling—a lysergic techno flow to truly melt into. Dekmantel continues to shape out the return of its UFO series with this new wave of 12"s... keep watching

Vincent Arthur’s masterpiece LP ‘Esi Vivian’, originally inspired by and named in tribute to his daughter Vivian, was the work of a skilled group of musicians from Africa, The Caribbean and Germany. The record remained relatively unknown for 30 years, apart from a small circle of collectors, until a very well known DJ closing Dekmantel reached the climax of his set with an 'unknown' euphoric afro disco track. Taking to the forums, internet sleuths didn’t stop until it was found that this anthem was ‘Travel With The Music’! Remastered by the ever patient and talented Frank at The Carvery, SFA002 breathes new life into the 3 standout tracks from Esi Vivian, allowing these timeless sounds to be shared on new dancefloors. It is no understatement that we shared a goosebumps moment in the studio listening to the results, where we both looked at each other and realised how special the music sounds. All three tracks have been elevated whilst staying true to the original and cut at 45rpm for ideal club playback. ‘Travel With The Music’ takes pole position on the A-side, a piece of music perfect in every way. Mixing afro, disco and that euphoric gospel-like chorus, this is the record you want to hear played out with all your friends at once. Leading the B-side is Afro Disco, a track that always works on the floor, it’s tempo shift injecting a playful energy that leads the party into it’s next stage. Closing out the release, ‘Jubilation’ takes us deeper and in the right dance, is a powerful end-of-the-nighter.

After four years of inactivity, largely due to the passing of best friend and genius engineer Phil Asher, Zaf has teamed up with Linkwood and created a spellbinding EP every bit as good as his previous Moton release. ‘Things Could Be’ is gospel soul funk killer and was made before its original creator Quincy Jones passed away recently; ‘Connect Here’ is one for the disco funk boys; ‘Gee Oh Dee’ is an obscure left-field disco gospel banger

Dutch-Surinamese multi-instrumentalist Ronald Snijders flaunts both a light touch and larynx on his latest LP for Night Dreamer. Always having drawn on jazz, Latin, Brazilian and Surinamese international musics, and bringing them together to form one confluent dialogue, Snijders is known for his pioneering, never-heard-before fusions. This stunning set of direct-to-disc single takes adds yet another cameo to his ever increasing vault of reliefs. This time we hear the musician take up his signature instrument, the flute, over several other instrumental contributions, by a swath of players including Yoran Vroom, Jeroen Vierdag, Mike Del Ferro and Efraim Trujillo. With the classy edge of a classic jazz funk record, Snijders is sure to once again impress even the most seasoned of jazz heads here, with high hopes for an expanded scope of recognition outside his native Netherlands.

Gifted & Blessed is back again, this time with his first full-length album as The Abstract Eye, bearing his soul through his arsenal of analogue and mostly vintage drum machines, synthesizers, and effects processors. You Can’t Unsee Me consists of 8 pieces recorded live and in one take at different moments over the last 10 years. Throughout the album, AE exhibits simple-yet-complex sequencing and processing while emphasizing depth, warmth, and heart. Whether you’re looking for music to dance to, music to relax and vibe to, or music to think deeply to, this has it all. One thing that’s for sure about The Abstract Eye…once you’ve experienced what he brings to the world through his signature brand of electronic music, you simply can’t unsee him.

Vick Lavender returns to Cataleya with a fantastic four tracker named The Messenger EP. It follows his earlier winners on the label – No One’s Going To Love You and Chicago Blue Line. The Messenger is a varied EP that features Deep, Jazzy and Soulful tones from the Sophisticado Recordings boss. Expect varied musical styles and instrumentation. The title track kicks the EP off with stylish synths, a cool sax and vocal flourishes. Abstract Union has guitar flexing and a huge organ bottom end, whilst El Negro Bossa is a free flowing jazz effort with a playful feel. Tomass finishes the EP in a deep and stargazing style courtesy of magical keys and grooving synths. The Messenger EP is another quality delivery from Cataleya.

Warren « Hanna » Harris is already back on Vibes And Pepper, but this time! With a full 5 track EP. Side A features two previously released gems from the gifted multi-instrumentalist and producer from Cleveland. These timeless cuts showcase his unique blend of future jazz, broken beat and deep house. Side B delivers three previously unreleased treasures, where Hanna's mesmerizing production skills shine through each groove. Pure sonic bliss that seamlessly weaves sophisticated arrangements with dancefloor-ready rhythms. This essential piece of wax perfectly encapsulates Hanna's signature style: lush soundscapes, pristine production, and uplifting vibes that will captivate any discerning listener.

In his own words: "Traffic Jams are really coagulation and inflammation in the body. Mental stresses are Traffic Jams. Moments where there is no flow are all due to Traffic Jams. Within the Mind Fear and Doubt are Traffic Jams." The first song of the EP, " Positive Mental Attitude Solves All,"is a tribute to the eternal elder and stalwart, Amp Fiddler. "Hey, we got that P.M.A.!" - Bad Brains in "Attitude"

Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics. While the older numbers are much sought after on Discogs, Andrea Passenger digs deeper into the best shades of disco, afro, boogie and funk to deliver the 10th release on the highly revered Light Touches Records. On A side, “Roots” is a relentless disco tune for incendiary peak times, while “Psych Afro Roller” keeps faith to the name going into crazier territories. On the flipside, “New Dance” adds some boogie tones and quirky synth arrangements, while “Feel The Feeling” rounds things up with its moody and deeper vibe. All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors! 12” limited to 300 copies (no digital).

Brand new essential disco edits on the Hot Biscuits label