Collection: Disco/Funk/Soul

Thundercat's fifth studio album 'Distracted' features contributions from A$AP Rocky, WILLOW, Tame Impala, Channel Tres, Lil Yachty and a previously unreleased collaboration with the dearly departed Mac Miller. Distracted was primarily created in close collaboration with a new creative partner for Thundercat - the superproducer Greg Kurstin, known for his work with some of the biggest names in pop like Adele, Paul McCartney, Sia, Beyoncé, Beck and more - with additional production turns on the record from Flying Lotus, Kenny Beats (Kenneth Blume), and The Lemon Twigs. Distracted vividly captures the tension between overstimulation and introspection. Thundercat is deeply skeptical of technological “progress,” especially the way it’s narrowed our collective imagination instead of expanding it. He jokes about Star Trek and childhood dreams of space travel, then pivots to the anticlimax of reality: drones without lasers, phones that only upgrade cameras, innovation reduced to spying and access. The disappointment isn’t just about gadgets; it’s about what we were promised versus what we got.

Tip on sleeve. Latin Grammy-Winning Producer Pupillo Unites Global Artists on his new album, Co-produced by Mario Caldato Jr. (Beastie Boys), featuring collaborations with Rodrigo Amarante, Carminho, Adrian Younge, Gaslamp Killer, Cut Chemist, Hervé Salters, and more Drummer, percussionist and producer Pupillo, one of the most influential figures in Brazilian music and a four-time Latin Grammy winner, releases his first original album through the Los Angeles–based label Amor in Sound. The record brings together an impressive and diverse group of collaborators from Brazil and abroad. Amor in Sound is run by Samantha Caldato, the project’s executive producer and creative director, and Mario Caldato Jr. (Beastie Boys), who co-produced the album alongside Pupillo. The project was developed in a free, experimental environment, allowing the artist to explore the many rhythmic and sonic territories that have shaped his career — from Northeastern Brazilian traditions to jazz, hip hop, and cinematic soundscapes. Listen here. The album features special appearances by Brazilian artists such as Céu, Rodrigo Amarante, Agnes Nunes, Amaro Freitas, Davi Moraes, Alberto Continentino and Pedro Martins, alongside a strong roster of international collaborators, including Carminho, Gaslamp Killer, Loren Oden, Adrian Younge, Cut Chemist and Hervé Salters (known for his work with General Elektriks). The album’s 12 tracks were further enriched by contributions from Jeremy Gustin, Roberto Schilling, and other musicians who make Amor in Sound Studios in Los Angeles a place of creative exchange. Beyond his work as the drummer of Nação Zumbi, Pupillo has built a prolific career as a producer and collaborator with some of the most important names in Brazilian music, including Gal Costa, Nando Reis, Erasmo Carlos, Céu, and Otto, helping to shape the sound of multiple generations. This trajectory has earned him four Latin Grammy Awards. From Pernambuco, Pupillo is also an acclaimed composer for cinema, having written soundtracks for films such as Arido Movie and Blue Blood (directed by Lirio Ferreira), TheAssailant (directed by João Daniel Tikhomiroff), among others. This cinematic sensibilitypermeates the album, which unfolds like a film, moving through richly textured soundscapes that cross continents and musical traditions.

Another Taste is back with their follow up album: Another Taste II delivers eight new cuts of boogie, funk, and obscure disco influenced productions, recorded live to tape. Comes with Download code. After lighting up renowned clubs like KOKO London, Jazz Café London,Tresor Berlin, New Morning Paris, and festivals like Love Supreme (UK), Lost Village (UK), Nuits Sonores (FR), Hamburg Jazz (DE), Lowlands (NL), ADE Amsterdam - the band has surfaced from the studio anew, mixing myth with music. If their debut record in 2024 was an introduction to their musical range, Another Taste II is the full immersion. The two-sided album plays like a neon-lit cab ride where the radio is set to groove. Expanding their palette with sharper songwriting, denser arrangements, and a fictional universe. The album showcases Another Taste’s collective at full strength: Barend Lippens, Bobby van Putten, Bob Roche, Teun van Zoggel, Sarina Voorn, Diogo Carvalho, and Florian Verhagen. Together they summon a sound that is electrifying, communal, and unmistakably theirs, joined on “Peace Call” by Arp Frique and the Perpetual Singers, and bolstered throughout by a dedicated brass section. Another Taste II is engineered and mixed by Bobby van Putten, mastered at The Carvery by Frank Merritt, with artwork and design by Timo ter Braak, Walt van der Veen and Robert Reinartz. The new album presents a collaborative creation that’s both timeless and unpredictable, pulling listeners deeper into the band’s universe with every spin.

The sunshine of Andalucía has come to the Bordello. The musical magpie that is Daniel Monaco arrives with just a hint of a Spanish accent and a daring record under his arm. Known for finding the intersections of boogie, disco, italo and house, Monaco is going that bit further with Manuel Rodriguez for the Flamenca EP. Melting the percussive drive of his machines with the spirit of Southern Spain, the four tracks on offer are a journey into a sound and style that is inspiringly original. Ruffled hi-hats and smooth basslines are the foundation for the title piece. The soul of the Sierra Nevada and the warmth of Granada pour forth through Rodriguez’s unparalleled performance. The claps of Chicago are reimagined as an interplay of melody and rhythm awakens; the traditions of Flamenco married with a modern groove. Talent and technique are coupled with pure passion in the intense instrumentation of “Fantasia” before the flip shifts with “Sìnteme.” The culture of Italy and Spain combine, taut string plucks peppered in handclaps before the Only Bee’s vocals descend. Ardent, the lyrics tell of our shared humanity through the dialect of Ischitella from the southern tip of Italy. The homes of our musicians are the inspiration for the finale. Blending the decadent splendour of Napoli with the old-world romance of Granada, Rodriguez’s guitar is the focus of “Granapoli.” Bitter-sweet, blissful and sorrowful, a lone beat wandering through the winding melody that twins these great cities. From Italy and Andalucía to Amsterdam, a 12” like few others.

Stepping up next in our Mr Bongo 12” Edits series, we’ve invited another legend of the game, DJ Nature, to craft a special EP of signature edits. Following editions by Dan Tyler and Nick The Record, Luke Una, and Danny Krivit, DJ Nature selects four prime cuts spanning modern soul, psychedelic funk, boogie, and leftfield disco, giving each his trademark tweak for today’s dancefloor. In 1989, Bristol-born DJ Nature moved to New York, a city where he knew his raw and textured aesthetic would be more appreciated at the time. He immersed himself in the NY scene, frequently attending underground house and disco clubs to hear pioneers such as Larry Levan (The Choice), Louie Vega (Sound Factory Bar), and Tony Humphries (Zanzibar). That same year, being surrounded by a wealth of underground dance music, DJ Nature set up an export company to supply the Japanese market. “I have had a connection with Japan for over 40 years, beginning when I visited as part of Ray Petri’s Buffalo fashion house as a DJ. From there, I linked up with the Major Force crew and others,” he explains. Having already been a record collector for 20 years, DJ Nature launched his own label, Ruff Disco Records, in 1992, releasing productions under his early moniker, Natureboy. Since then, Nature has gone on to become an underground DJ/producer legend himself, touring the world and releasing records on esteemed labels such as Golf Channel Recordings, Jazzy Sport, Hot Biscuit Recordings, and Futureboogie Recordings. Reflecting his love of raw, independent disco, jazz fusion, and early house music, DJ Nature has chosen four tracks from the Mr Bongo archive that he felt had club-ready production ripe for an edit. First up, is an extended rework of the ultra-rare Chicago modern soul/disco joint ‘Straight Forward (Non-Stop)’ by P.J. City from 1986. Staying true and respectful to the original, DJ Nature tweaks and extends it so it feels like a longer take lifted from the original recording session. Next is a sublime version of Cuban band Grupo Los Yoyi’s 1977 track ‘Del Copacabana A 34’. Here, Nature extends and enhances the song, looping the more driving, hypnotic, spacey sections to let the energy brew and bubble to boiling point. On the B-side, DJ Nature revamps a lesser-known gem from the Elite Records catalogue. Originally produced by Andy Sojka, Antoniou’s pulsating 1982 electronic disco groover ‘Sound On Sound’ is transformed into a peak-time cosmic boogie whirlwind. Rounding off the EP, he turns to the mysterious Marxist Love Disco Ensemble’s 2022 album ‘MLDE’, re-editing the quirky leftfield disco winner ‘Dust’ into a more DJ-friendly club track.

Gatefold Sleeve M’Bamina – African Roll (1975) The story of an album born between Africa, Italy, and the nightclub culture of the 1970s In the heart of 1970s Italy — a country undergoing profound social change and a music scene just beginning to open itself to distant sounds and cultures — an extraordinary, almost improbable story took shape. It is the story of a group of young African musicians who found their way to Europe, of a Turin nightclub that became a crossroads for communities and experimenters, and of an album which, released in small numbers and largely unnoticed at the time, is now considered a rare jewel of Afro-fusion. The band called themselves M’Bamina — an ensemble of musicians from Congo, Cameroon, and Benin, who arrived in Italy in the early Seventies. Settling between northern Italy and the Pavia area, they began performing in small clubs and community events, bringing with them a vibrant rhythmic heritage: African polyrhythms, call-and-response vocals, funk-infused bass lines, and Caribbean or Afro-Latin colours absorbed along their musical journeys. Their raw, contagious energy on stage quickly drew attention.

Amsterdam's Dionisos' (also known for his collaborations with Pete Blaker for LL & Hot Biscuit Recordings) debut 12" on his own Lovers Yacht imprint. Dionisos, the project’s producer, possesses a solid foundation in live music, which is clearly reflected in the way the grooves evolve, resonate, and gradually heighten in intensity. The tracks “Mother Earth”, “Father Sky,” and “Bon Voyage” form an exciting trilogy—a daring journey into the musical universe. Captured in a single take, they were subsequently methodically overdubbed and layered, preserving the essence of musicians interacting in real time. Instead of pursuing drops or studio glitz, the music focuses on capturing the spirit, interacting only with the original vibrations of the one take. These songs flow with the precision of musicians in a band. They develop organically, demonstrating their strength gradually; music for dancing that relies on emotion rather than spectacle.

First time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.

oaquin Joe Claussell Presents the Second Installment of His Acclaimed Alias: BlackSalsoul Brooklyn, New York City - Renowned producer, DJ, and spiritual music visionary Joaquin Joe Claussell returns with the second chapter of his celebrated alias, BlackSalsoul. Continuing his lifelong exploration of deep, soulful soundscapes, this latest release focuses on edits and reinterpretations across Spiritual Jazz, Soulful Disco, and African Dance traditions. Following the success of the debut 7" (Cat# CIRCUIT.7), which sold out within weeks and remains a one-time pressing despite overwhelming demand, the BlackSalsoul series reaffirms its commitment to exclusivity. Each edition will be available strictly on limited 7" and 12" vinyl-a tribute to the physicality and ritual of true record culture. Blending the warmth of analog production with Claussell's signature spiritual energy, this release bridges eras and continents-honoring the roots of soulful expression while speaking directly to today's dance floors. For fans of Fusion Jazz, Soulful Disco, and Afro-inspired Edits, the new BlackSalsoul record offers another essential journey through rhythm, emotion, and transcendence.

Legofunk Records returns with a brand-new volume of “Super Disco Edits” series — this time bringing together an all-star lineup of artists from across the funk and disco scene. Bursting with groove, soul, and analog warmth, the compilation celebrates the golden vibes of dancefloor magic while pushing the sound forward with fresh energy and creativity. Get ready to move!

Brand-new release for Legofunk Records. With this vinyl, Da Lukas officially inaugurates the new series “Re-Disco”, a concept dedicated to reworking, reimagining, and reshaping disco and funk influences through a modern, dancefloor-oriented lens. Blending classic grooves with contemporary energy, Da Lukas delivers a refined selection of tracks that pay tribute to the roots of disco while pushing the sound forward. The Re-Disco series sets out to bridge past and present, celebrating timeless rhythms and transforming them into fresh tools for DJs and vinyl lovers alike.

Saint Wax Edit Service welcomes Slow Fire Disco Machine. The Italian duo delivers an EP of 4 gems from the world.

Delve into the quirky and psych-tinged world of Brazilian pianist, composer and multi-instrumentalist Mauricio Fleury. With more than a hint to Brazilian jazz greats like Azymuth, Deodato and CTI Records in their prime, Revoada is a groove based jazz-framed record, primed with other transitory musical vignettes which touches on Turkish psych and soul-jazz born out of the 70's film soundtrack genre. Revoada is a 6 track album and storyboard of Mauricio's migration and travels through Brazil's geographical oddities , its rural and urban enclaves. Recorded in Brazil, it's the result of numerous treks through funky flea markets, soaking up old vinyls and vintage cultural artefacts combined with a new life led in Berlin since 2022. Mauricio, as well as a founding member of Bixiga 70 (google Brazilian Afrobeat pioneers), a band he fronted for over 12 years, is also an in-demand collaborator and musician who as a pianist, guitarist and even percussionist has shared stages and studios with the likes of Brazilian greats including Gal Costa, Emicida, Lucas Santtana, João Donato and Liniker. In 2007 he had a life-changing experience meeting Tony Allen, at the Red Bull Music Academy. After hanging out, chatting music and life, Tony insisted to Mauricio to participate with Tony in a jam with blacktronica and soulful house music pioneers Ron Trent, Theo Parrish and Steve Spacek. Mauricio sums it up, "From that moment on, I was never afraid to collaborate musically with anyone, no matter who's playing. It also brought me to researching the connection between Brazilian music and Afrobeat which is something that still means the world to me". Another unforgettable session Mauricio undertook happened alongside João Donato and Marcos Valle, playing Donato's classic album Quem É Quem, live, a record seen as a blueprint for second generation bossa nova. Mauricio has worked with Gal Costa on two albums, Estratosférica Ao Vivo and her last studio album A Pele do Futuro. Fabio Sá and Vitor Cabral (bassist and drummer on Revoada) were playing with Gal at her last concerts, including in Berlin in 2022 before she passed. In contemporary music, Mauricio was part of Toy Selectah and Mexican Institute of Sound's Compass project. He's worked with Colombia's Los Pirañas and has even recorded a mysterious and unreleased album with Quantic. Revoada shows signature traces of Thelonious Monk, Ramsey Lewis' swinging soul sound, Deodato's drama, and styles from further afield, spreading into Turkish psych and Ethiopian jazz, when the time is right. Each track, led always by Mauricio playing multiple instruments with a choice selection of guests and core members on bass and drums, highlights Fleury's meticulous approach to finding the right timbre, utilising his arsenal of organs and effects pedals to set the mood, taking the listener to a specific place or memory that has shaped him. A vinyl DJ for over 25 years and someone who is immersed in digger and collector's culture, Mauricio places a lot of emphasis on the importance of the complimentary relationship between two artforms (DJ and composer/producer) in the sense of having a broad repertoire of musical knowledge, references and perhaps predictably, being a Brazilian, understanding the connection between rhythms. This is an impressive debut album that struts itself right into the runout groove.

Gaudi’s Jazz Gone Dub is a masterclass in genre fusion, seamlessly blending the improvisational essence of jazz with the heavy atmospheric grooves of dub. Known for his eclectic approach to music production, Gaudi pushes the boundaries yet again, creating a sonic landscape that feels both nostalgic and refreshingly innovative. Four years in the making, from the opening track it’s clear that Jazz Gone Dub is more than just a mashup of styles—it's a thoughtful exploration of the intersections between two rich musical traditions. Gaudi’s multi-instrumental talents are on full display, and the presence of reggae royalty is palpable, courtesy of rootsy melodies from David Hinds (Steel Pulse), Jah Wobble’s iconic bass grooves, Ernest Ranglin’s intricate guitar lines and Sly & Robbie’s rhythmic genius. Add Sardinia’s Train to Roots band, Manu Chao collaborator Roy Paci, veteran guitarist Marcus Upbeat, Mr Woodnote and Tim Hutton’s brass work, Gavin Tate-Lovery’s sultry sax and flute, Horseman’s percussive flair plus Colin Edwin and Vlastur’s serious basslines, and the result is a rhythmic foundation that’s both solid and fluid, allowing the jazz elements to float freely above the dub undercurrents. Despite this star-studded line-up, Gaudi remains the glue that holds this gem together: his production is meticulous yet organic, allowing each track to breathe and evolve naturally. The use of space, delays and reverb—a hallmark of dub music—is expertly handled, giving the album a dreamy, immersive quality. Tracks like Susceptible and Alabaster Moon showcase Gaudi’s ability to create mood and atmosphere without sacrificing melodic and rhythmic complexity. In Jazz Gone Dub Gaudi has crafted an album that feels both timeless and forward-thinking, a celebration of musical synergy where the free-spirit of jazz meets the deep resonance of dub. Whether you’re a fan of either genre or simply appreciate masterful musicianship and innovative production, this album is a must-listen.

Eddie C's Disko Universal continues its run of deep and diverse releases with 'A New Chapter' EP from Southside Chicago legend Ellery Cowles and Austin up-and-comer Open Soul... Ellery Cowles lives House Music. He's rocked it with Lil Louis, Roy Davis Jr, Steve Poindexter and the Chicago Bad Boys. Here we dive straight into Midwest territory - raw machine funk, smoky house grooves, and the kind of no-nonsense acid you'd expect from someone with DJAX and Cajual credentials. Timeless, floor-ready material from true craftsmen - deep groove, no filler. Sounds like the kind of record you'd pull from a beat-up crate in a corner of Detroit Threads and never put back.