Collection: Disco/Funk/Soul

796 products
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    Back in 2012, Rush Hour boss Antal Heitlager put together a sublime collection of obscure Surinamese disco and boogie for sister label Kindred Spirits. Four years on, and with assistance from Thomas Gesthuizen, he presents the follow-up, Surinam Funk Force. Predictably, it's another fine set full of surprise gems and barely-known classics. While some tracks sound authentically American (see the deep and harmonious brilliance of Steve Watson's "Born To Boogie", and Surinam scene stalwart Sumy's eccentric, synth-laden "The Funky 'G' (Only Comes At Night)", some of the most potent cuts lean more heavily on traditional Surinamese music. In this camp you'll find the thrilling funk of Explosion's "Wakka Mang", and the off-kilter tropical disco-funk of Ronald Snijders' "Kaseko Attack".
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    While Toy Tonics' first Italomania compilation, released back in 2010, featured fresh reworks of classic Italian disco tracks, this belated sequel celebrates a new generation if Italian disco and nu-disco artists. This - as they have made clear - is not synth-heavy Italo-disco revivalism, but disco revivalism and disco-house fusion made by Italians. It's a great collection all told, with highlights including the hybrid disco-boogie brilliance of Tommiboy's 'La Sfinge (featuring D Disco Band)', the synth disco-meets-jazz-funk flex of Severino and Giocomo Mora's 'Maledetto', the coloruful nu-disco excellence of Munk & Kapote's 'La Musica (Hot DJ version)', the orchestrated disco cheeriness of 'SessoSpaghetti (extended mix)' by Finniani & Angeleri - an authentically eccentric excursion - and the synth-heavy squelch of 'Tropica' by Giovanni Damico.
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    The reissue of Saada Bonaire's self-titled album on "Bone vinyl" by Captured Tracks taps into the growing thirst for rediscovered gems from the past. This project, which started as a pop-art experiment in Bremen in 1982, combines brittle synthpop and digital funk with Turkish and Kurdish folk influences, creating a unique cross-cultural fusion that still feels fresh today.
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    Bedford-based trio Zenana never made much of an impact when they were first active in the 1980s but have become the toast of the world's media following the rediscovery of their excellent, Italo and Hi-NRG-influenced 1986 synth-pop single, 'Witches', by crate diggers a couple of years back. Here that fine track, originally produced in terraced house in Cornwall by the brother of bandmember Anita Tedder, gets the reissue treatment on Rush Hour's RSS series - thanks, in no small part, to a new (but authentically 80s sounding) extended remix from long-established Bristol DJ/production duo Bedmo Disco. Their flipside 'Spell of Love' version strips back and stretches out the track, taking cues from NYC proto-house, Martin Rushent dubs and mid-80s Shep Pettibone remixes. It's the 12" dance mix the song never had first time round.
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    Be With Records' latest reissue takes us back to the mid 1980s and the wonderfully loved-up world of Surface, a trio founded in the boogie era went on to notch up a string of hot '80s soul hits. The record boasts two of the American outfit's finest moments. On the A-side you'll find 1983 debut single 'Falling In Love', a near perfect fusion of sweet, loved-up vocals, metronomic synth bass and breezy melodic motifs that has long been considered a classic (and with good reason). Arguably more exciting for the heads is the flipside 'Love Mix' of 'Happy', a sparse, stripped-back and 'reconstructed' Loose Ends style slow jam from 1987 with added dub-wise intent and echoing drum machine percussion.
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    When Danilo 'MCDE' Plessow and Bobby van Putten established their Space Grapes label last year, it was their stated intention to present 'the best in contemporary live dance music'. What they meant, we suspect, was releases like this debut album from van Putten's Another Taste combo - a four-piece whose colourful and sonically authentic sound rooted in boogie, 80s electrofunk and obscure, private press disco. The results are undeniably impressive, sounding something like a long-lost album from 1983 - complete with kaleidoscopic synths, soulful vocals and killer basslines - of the kind that dusty-fingered crate diggers consider a 'holy grail'. Highlights include the Plessow co-produced boogie brilliance of 'Anything You Want' and the funky bassline driven mid-tempo disco-soul of 'Time Is On My Side'.
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    Antwerp's Forbidden Fruit bringing 6 vocoder-laced tracks for an EP on Gent's WeZienWel.
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    'Two amazing jams! The Perpetual Singers are a collective of gospel singers from Amsterdam  - both songs produced by Arp Frique.
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    Best Record has secured the rights to this 12" vinyl reissue of Fascination 'Out to Get You', which is dedicated to Giancarlo Meo, the esteemed producer behind Easy Going and other iconic acts. This release, curated by Claudio Casalini, pays homage to Italy's vibrant disco era and blends elements of disco, soul, and funk. The original comes as three different and equally captivating versions, including a re-edit by DJ Massimo Berardi who injects plenty of contemporary flair while preserving the essence of the original tracks. With its fusion of retro charm and modern energy, this reissue offers a nostalgic yet danceable vibe and is primed and ready to for igniting dance floors worldwide once again.
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    Taking a break from their usual Italian remit, Best turn their attention to an overlooked pioneer from the annals of German electronic music history. Harry Thumann was based in Munich, and primarily worked as a studio engineer, but his own recorded work was vitally important too. An early adopter of MIDI, and with a propulsive electronic disco sound that was right at the cutting edge of the times, the four "experiments" Best have gathered here represent some of the most potent dancefloor jams he created - full-fat technicolour fever dreams for the fabulous and flamboyant.
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    A genuine one off, largely made using the then-new Yamaha DX-7 synth, Joe Car's sole single from 1984 has long been one of the rarest Italo-disco 12" singles around. This reissue has been a long time coming, with the revitalised Best Record finally securing the rights to re-release it earlier this year. It remains a fun and surprisingly on-point release. It appears in two takes, both of which we think were laid to tape at the time. On the A-side you'll find the 'Electro Potato Mix', where chiming lead lines, Fairlight style sampled stabs and male vocals rise above a chuggig, arpeggio style bassline and machine drums. Nestled on the flip is the original vocal version, which sounds like the sort of thing Chris Lowe from Pet Shop Boys may have been dancing to during the period - there are certainly a few cuts in the duo's earlt catalogue that utilise similar sounds and grooves.
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    Isle Of Jura come through once more with a superbly in demand reissue of a sought after disco cut from the 1980s. 'Save Our Love' by Escape From New York is a blend of disco, new wave and funk that has a mystical atmosphere and drums perfectly of their time. The vocal is full of yearning under the shimmering synths and on the flip is an even more 80s-leaning tune, 'Slow Beat' (dance mix) has more obvious 80s leanings and the 12" closes with the Instrumental of 'Save Our Love, stripping back the vocals and giving more air to the bass.