Collection: New Releases

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    The Take It Easy label returns with a red hot one and limited edition one-sided 12" that features a Bugsy 'ReDrum' of Wema's 'Kiherehere' cut. The original artists are a five-piece Tanzanian outfit founded on community and they have a global approach to sound that plays out here. In Bugsy's hands, it becomes a club-ready cut that fuses house and techno with the original's traditional Tanzanian instrumentals and Afro-Latin rhythms. Add in a fiery vocal and the sort of unrelenting drum funk that sends crowds mad and you have another standout from this fledgling label.
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    Minimal Detroit Audio is one of the newer Motor City labels but is already just as good as you would hope for a late from that long-running techno hotbed. This third transmission comes from the tried and tested Population One who lays down thumping drums and coarse snares on 'Edge Of The Visible Universe' and runs them through with haunting synth sequences. 'The Uphill Battle' brings more metallic texture and uneasy late-night energy to a mid-tempo groove and 'Suddenly' brings many layers of edgy synthesis to steely techno loops. 'On Location' flips the script with a unique fusion of eerie intergalactic synths and a bassline that rides up and down the face next to paired back deep house drums. It's pure Detroit and it's brilliant.
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    Byron The Aquarius (Byron Blaylock), from Birmingham, Alabama, debuts his latest EP for French Synchrophone sublabel Phonogramme, 'Dey Know Vol. 1'. Topping up an already hugely impressive backlog of releases on the label recently - from the likes of Abacus, Steeve O'Sullivan and Vitess - the producer and water carrier adds to their catalogue for a varied scrubdown of the more militant ends of techno's sonic politic. An impressove sense of variation is achieved on the expositionally minimal 'Black Is Black', which contrasts greatly to the ensuing space-quagmires of 'Dr Devil' and then the crude, bleepy and frank analog sonics of 'Real MF From The Avenue'. Dreamy narrations of local life abound, precluding the closing 'Rock That 808!!!', a track that is far more sophisticated and well-developed in sound than its wilfully blase title might suggest.
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    Opolopo and Alafia have hooked up here to work together on a new musical journey that takes the form of these two richly layered percussive monsters. 'Axxanxxan' and 'Axxiove' which arrive on this 12" from Canopy are as addictive as it gets - they fuse Afro rhythms and disco dazzle with synth innovation to create a pair of dance bombs with real tribal energy. The A-side is detailed with metallic bass, choppy guitars and swirling synths that add up to a nice tropical sotmg, while the flip has more prominent drums and hypnotic rhythms that have a subtle cosmos twist. Two gems from Canopy, then.
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    Detroit's Theo Parrish continues to serve up expressive and utterly unique new music, but his vast back catalogue will always remain of almost just as much interest to house heads. As such his Sound Signature label has repressed some quality gems from his discography. 'Roots Revisited' first came back towards the tail end of 1998 and finds the sonic shaman in heavy percussive mode while off-grid rhythms and his unique take on soul shining through. 'Dan Ryan' is deeply meditative, while the 'Walking Thru The Sky' (feat Ron Smith - Liberation mix) is a dusty and scuffed-up deep house exploration with Theo's trademark keys.
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    REPRESS ALERT: What hasn't been said about this timeless classic that hasn't been already? We'd be preaching to the choir but for what it's worth: Pal Joey's 1990 released, Chic sampling classic "Dance" is one of those tracks that never gets old and always sets the dancefloor alight. In all these years it has been thrown down by NYC house legends and Detroit techno's finest alike. Likewise, your record collection isn't complete without it! Features the energetic original version on the A side, as well as the dub with that nice bass solo section that comes in. Finally, on the flip is the wicked bonus beats version that was favoured by techno DJs and sampled by everyone from Jeff Mills to Jerome Sydenham. Reissued on Joey's own Cabaret Records.
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    Mallorca-based artist Todd Gartland made a sizeable impression with his first 12" Move Electronic, which launched the Planetary Instinct label back in 2021. Since then he's graced Eterno and CABARET and now he's bringing his artful blend of tech house, breaks and psychedelia back for another sizzling bout of ear-candy. 'Dubby Doingz' is a funked up roller with bewildering layers of sonic trickery sneaking around the spooky synth lines and chunky beat. 'Eek-A-Freak (Sub Mix)' brings some pointed, crusty reggae samples into the mix for a lean and mean soundsystem workout, while 'Hope For Humanity' strikes a melancholic tone in its own cultivation of samples, synths and drums. B2 joint 'Space Dub Extract' is a stand-out curveball that slips down to hip-hop tempo and piles on some delightfully trippy modular synth licks that should go down well with the bean bag cognoscenti
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    Following a couple of impressive appearances on R.A.N.D. Muzik, Jay Gadian is back in action with this new drop for US label Space Dust. This is quintessential electro business dealing in icy, dystopian tones peppered with crafty sonic detailing. If 'Sensory' is something of a pensive opener, 'Green Dimension' soon shakes up the program with its hyphy leads and dirty, twisting bassline. 'East' is an airy affair which has a little more 80s flavour referencing back to the likes of Jonzun Crew, and '20 Or More' plays around with the rhythm for a more fractured framework around the darting shards of synths and sampling.
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    The Lonewolf label strikes again with another intriguing new 12" that mixes up synth, wave and electro. E Bony is behind it and we know nothing of who they are but they clearly know how to coax some magic out of their machines. 'Hello & Goodbye' opens with rasping electro bass and rugged analogue drums while 'Half Man' takes off on a more arresting and peak time trip to the stars. 'No One Is Here' has silky arps and classic electro bleeps driving it along while the B-side begins with a La Mverte remix that brings plenty of metallic dark disco chug to the floor. The original is another bright, twitchy electro workout.
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