Collection: New Releases

2030 products
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    The Sound of Love International #006, selected by Jay Donaldson (aka Palms Trax), is a vibrant compilation reflecting the eclecticism of his DJ sets and radio show Cooking With Palms Trax. This collection celebrates obscure gems, many self-released or privately pressed, uncovering hidden talent from different eras and regions. Opening with Linda Waterfall's 'Clarity', a 1970s spiritual jazz-tinged folk piece, the album features tracks like 'Follow My Heart' by Sebastian, a soulful, sax-filled soft rock tune, and Frank E. Jeffries Jr.'s gospel-infused 'Did It Have To Be Me'. Highlights include 90s South African bubblegum tracks like El Pedro's 'La Luna' and 'Novidade's Masingita'. Belgian prog-rocker Zardoz's 'Brasilia Drums' and Danish virtuoso Gert Thrue's synth-driven 'I Play The Body Electronic' add cosmic textures, while Flayer's Balearic anthem 'Wanna Get Back Your Love' and Jeancky's 'Variations Sur Protestation' provide a serene close. Palms Trax has crafted a collection of rare finds, mixing genres and decades into a cohesive whole, reviving forgotten artists and creating a joyful, floor-filling experience sure to capture the ears of music lovers everywhere.
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    Jeremy Underground loves a compilation project. He has done them for his own My Love Is Underground label as well as the superb Beauty: A Journey Through Jeremy Underground's Collection which came back in 2017 for Favourite Recordings. Now he reverts to his roots once more and digs deep for 90s garage and house, often from the US. His tastefully selected sounds come on Z Records as part of this multi-part 90's House & Garage series with plenty of key names from the genre's golden era all present and correct. This is a fine collection that will up your own house credentials no end.
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    Those with long memories might remember Sex Tags UFO chief DJ Fett Burger's 2012 double A-side collaboration with the mysterious DJ Grillo Weiner, 'Disco Tre'/'Disco Fire' - a deliciously percussive and wayward workout built around choice disco loops and heavy, wayward percussion. 12 years on, the Norwegian pair are back for round two. Fett Burger goes solo on A-side 'Disco Fem', a typically stretched-out fusion of drum machine kicks, densely layered percussion and killer samples from a vintage disco record. It's a genuinely extra, extra-large affair and very, very good. Turn to the flip for 'Disco Sex', a slamming, techno-tempo collaboration that pairs thumping beats and low-slung dub disco bass with mind-mangling synth loops and ambient chords. Like the A-side, it's simply colossal - albeit in a typically eccentric, off-kilter way.
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    Over the past decade, Cory Champion has navigated multiple musical dimensions. As a composer, drummer, and bandleader, he has led the Clear Path Ensemble through two albums of celestial, dance-infused jazz under Cosmic Compositions and Soundway Records. Simultaneously, as Borrowed CS, he has crafted dubby techno, minimal electro, and soulful jazzy house. His second Borrowed CS release, Rise n Shine via Planet Trip Records, expands on his "Mystic Shuffle" sound and is a brilliant new blend of futurist machine funk, post-disco, and future soul with some fine features from the one and only Steve Spacek and smooth crooner Mara TK who help deliver grooves that shimmer and snap with rhythmic precision
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    Back in 2012, Rush Hour boss Antal Heitlager put together a sublime collection of obscure Surinamese disco and boogie for sister label Kindred Spirits. Four years on, and with assistance from Thomas Gesthuizen, he presents the follow-up, Surinam Funk Force. Predictably, it's another fine set full of surprise gems and barely-known classics. While some tracks sound authentically American (see the deep and harmonious brilliance of Steve Watson's "Born To Boogie", and Surinam scene stalwart Sumy's eccentric, synth-laden "The Funky 'G' (Only Comes At Night)", some of the most potent cuts lean more heavily on traditional Surinamese music. In this camp you'll find the thrilling funk of Explosion's "Wakka Mang", and the off-kilter tropical disco-funk of Ronald Snijders' "Kaseko Attack".
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    This reissue of Underground Resistance's seminal Nation 2 Nation LP is a significant moment; the group's messages of liberation and resistance feel as relevant as ever, not least given the reivisionist concept behind this EP. Perhaps, though, we should resist chinstroking too much; for the original liner notes of this seminal release criticize the over-intellectualization of characteristically African American art forms such as house, hip-hop, jungle and jazz. Even so, this 1991 classic stands as tall as ever, with sax contributions from Lenny Price helping to explore exactly what jazz would sound like if it had originated with the analogue gear that was available to UR's members, decades later.
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    After an impressive outing on this label last time out with 'Ripples,' the enigmatic Wallace is back with a red hot follow up, 'Papertrip.' This one has club hit written all over it once more and previous tunes of his have been much the same with big plays from the likes of Gilles Peterson, Palms Trax and Hunee. The title track opens up with an ascending lead synth line and old school Chicago house drums. 'Bb' then brings a little infectious garage skip to the dancefloor and on the flip, 'The Function' pairs it back to deft drum loops and smeared pads and an infectious rhythm. 'Backwaters' closes down with some dubby out and float beats run through with fuzzy dub chords and some molten synth melodies.
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    Released via Underground Resistance in 1993, Black Moon Rising by Scan-7, helmed by Trackmaster Lou and featuring The Elohim, remains a quintessential Detroit techno classic. This electrified motor city soul and funk masterpiece is now reissued for the first time in 31 years, maintaining its power to ignite dancefloors and alter minds. The title track, 'Black Moon Rising,' achieves a perfect balance with its crisp Detroit techno sounds tempered by melancholic synths and melodies, creating an uplifting effect amidst the edgier releases of its time. The lo-fi production adds to its unique charm, making it a standout. 'Pathway Through Time' and 'Introducing Scan-7' continue to push boundaries with their innovative sounds. 'System Work' stands out with its quirky, driving melody and out-of-phase vocals, propelling the track forward with relentless energy. Black Moon Rising embodies the essence of techno, with synth stabs, acid leads and a robust bassline, making it a timeless release that remains influential in the techno scene.
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    While Toy Tonics' first Italomania compilation, released back in 2010, featured fresh reworks of classic Italian disco tracks, this belated sequel celebrates a new generation if Italian disco and nu-disco artists. This - as they have made clear - is not synth-heavy Italo-disco revivalism, but disco revivalism and disco-house fusion made by Italians. It's a great collection all told, with highlights including the hybrid disco-boogie brilliance of Tommiboy's 'La Sfinge (featuring D Disco Band)', the synth disco-meets-jazz-funk flex of Severino and Giocomo Mora's 'Maledetto', the coloruful nu-disco excellence of Munk & Kapote's 'La Musica (Hot DJ version)', the orchestrated disco cheeriness of 'SessoSpaghetti (extended mix)' by Finniani & Angeleri - an authentically eccentric excursion - and the synth-heavy squelch of 'Tropica' by Giovanni Damico.
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    When the original version of this two-tracker originally appeared in early 1993, CJ Bolland was at the peak of his powers, spearheading a new wave of Belgian techno producers associated with Ghent's soon-to-be-legendary R&S Records offshoot. His stock, and that of his contemporaries, has risen again in recent times - hence this useful reissue. 'Camargue' was, like the second track on this 12", co-produced by British producer (and Advent member) Cisco Ferreira. Rich in jumpy organ riffs, saucer-eyed motifs, sweeping synth-strings and bounding beats, it's tech-trance from a point when trance was not the commercial beast it would later become. Flip-side 'Tokyo' adds Japanese-influenced melodies and sparkling electronic motifs to a typically Belgian 'Hoover' bassline and storming techno beats. Like 'Camargue', it's breathlessly brilliant.
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    House head Ralph Session teaches us a lesson on 'For The House Heads', dedicating his nextmost release only to the best and most dedicated jack acolytes among us. Kicking things off with the high-strung, vocal piner 'I Know You Can', whose jacking funk jerks blend dreamily with its sampled street soul voxxes, we then move into the less jerky but no less pistoling groove of 'Take Me Higher', which never fails to do so. 'House Family' grubs things out with a deeper melody line, rounding things off on a dubbier dream-session.
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    The dynamic duo Octave One starts off 2024 with a new EP that features new versions of two of their own classics and a brand new song. 'Price We Pay' has two remixes featured here, with the both being massive main stage crowd pleasers. 'Mirror Image' is a slick downtempo track that shows the pair's creativity for making great dance music. Last, the new version of 'A Better Tomorrow' is updated to be more futuristic and spacey. Messages From The Mothership Volume 1 are a great sign of things to come as Octave One explores more of their long and impressive discography.
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    The reissue of Saada Bonaire's self-titled album on "Bone vinyl" by Captured Tracks taps into the growing thirst for rediscovered gems from the past. This project, which started as a pop-art experiment in Bremen in 1982, combines brittle synthpop and digital funk with Turkish and Kurdish folk influences, creating a unique cross-cultural fusion that still feels fresh today.
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    Bedford-based trio Zenana never made much of an impact when they were first active in the 1980s but have become the toast of the world's media following the rediscovery of their excellent, Italo and Hi-NRG-influenced 1986 synth-pop single, 'Witches', by crate diggers a couple of years back. Here that fine track, originally produced in terraced house in Cornwall by the brother of bandmember Anita Tedder, gets the reissue treatment on Rush Hour's RSS series - thanks, in no small part, to a new (but authentically 80s sounding) extended remix from long-established Bristol DJ/production duo Bedmo Disco. Their flipside 'Spell of Love' version strips back and stretches out the track, taking cues from NYC proto-house, Martin Rushent dubs and mid-80s Shep Pettibone remixes. It's the 12" dance mix the song never had first time round.
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    Be With Records' latest reissue takes us back to the mid 1980s and the wonderfully loved-up world of Surface, a trio founded in the boogie era went on to notch up a string of hot '80s soul hits. The record boasts two of the American outfit's finest moments. On the A-side you'll find 1983 debut single 'Falling In Love', a near perfect fusion of sweet, loved-up vocals, metronomic synth bass and breezy melodic motifs that has long been considered a classic (and with good reason). Arguably more exciting for the heads is the flipside 'Love Mix' of 'Happy', a sparse, stripped-back and 'reconstructed' Loose Ends style slow jam from 1987 with added dub-wise intent and echoing drum machine percussion.