Collection: New Releases

Italian twosome Gino and Dino (that's G&D to you and me) have released some of the most on-point and well-crafted re-edits of recent times. Their EPs are always worth a look, and this one - the first of two featuring other editors alongside the popular duo - is no exception. They begin on side A with 'PeeGee870', a fine version of a low-slung, synth-sporting Italian disco chugger from (we think) the turn of the 1980s, before moving on to the eyes closed disco bliss of 'understanding', where heady lead vocals and sweeping orchestration catches the ear. Over on side B, the previous unheard G.Bros and In.an offer up their 'Balearic' edit of 'Polpette', joining the dots between laidback, loved-up disco, quirky Balearic colour and huggable dancefloor lusciousness.

Milo Johnson AKA DJ Nature is not a newcomer to the re-edit scene - he's been serving up reworks, bootlegs and floor-focused DJ tools for decades - but he has become more prominent in recent years, thanks in no small part to the efforts of edit specialists Hot Biscuit Recordings. Here he delivers the second part of his Versions project, offering up six more revisions stretched across two slabs of wax. Check first the lightly dubbed-out, string-laden jazz-funk shuffle of 'Felix', before admiring the summery South American jazz-fusion brilliance of 'Caso De Amor de Brasileiro' and the low-slung funk-goes-jazz-dance headiness of 'Steppin'. His love of low-slung, dub-flecked workouts returns on EP highlight 'Tarzoon March', before he reaches for the lasers on disco-funk jam 'Disco Queen' and successfully tampers with a jazzy deep disco number on 'Have Mercy'.

Hot Biscuit Recordings' has spent the last couple of years delivering killer re-edit EPs, mostly from veteran talents including Rahaan and the Idjut Boys. For this 12", they've recruited another long-established re-editor, Brooklyn-based Japanese-American producer (and East Village Edits main man) DJ Monchan. There is of course a big fat slice of heavily orchestrated disco on show - B-side 'Finally', which seemingly extends and rearranges Steve Bendner's 1977 version of 'The Final Thing' - but it's A-side 'Silent Dub' that hits home hardest. It's sees the Dailysession Records founder turn his attention to a sparse, spaced-out synth-pop record of (we think) the 1980s, re-imagining it as deliciously deep and dubby house record full of trippy effects, echoing vocal snippets and delay-laden percussive elements.

Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP! The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to. This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show. This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "

The 1980 space disco hit you probably never heard of. Now officially remastered including new stunning edits by Peaking Lights and Korkut Elbay. Picture sleeve with an outstanding painting by Antonia Freisburger. 'Inside' with loads of synths and some vocoder on top is a wild jam that is propelling more and more into a frenzy during its course. Following the orginal is a dancefloor-edit by Korkut Elbay which puts the vocal part into focus. Korkut Elbay, part of the Cómeme camp and an integral part of Cologne's electronic music scene for over 20 years, crafted an edit in its purest form. On the flipside Aaron Coyes of the California-based duo Peaking Lights stretches out the original and reaches higher grounds with his stomping rework. He gently adds some more keys and puts you into a trance with his soothing melodies. Now dance! But what's the story behind this unearthed gem stone? In the late 1970s a marketing company owner faced an increasing competitve market and wanted to work indepently from the professional studios which were charging high rates for commercials back then. The solution was to build his own sound studio. So he set one up in the basement of his company in Saarbrücken, Germany. He hired a studio operator and a composer that got quite a reputation in the local scence back then and besides daily job routines 'Inside' was created.

Foundational reggae artist Dennis Walks' 'Waste Time in Babylon' has long been a much sought-after track and it is now the latest 1980s digital gem to be reissued on 45 as part of the 333 series. The tune was originally produced by Prince Jazzbo for his Ujama label in 1987 and finds Walks, who first gained recognition in the early 1970s working with producers Harry Mudie and Joe Gibbs, delivering his trademark powerful vocals over the iconic 'Racecourse Rock' rhythm. The track also features legendary keyboardist Winston Wright in fine form which helps to make this reissue a must-have for fans of classic reggae and digital-era fusions.

Death Is Not The End's wonderful 333 series continues here with another standout digi roots 7? from late 90s New York star Gumbae Culture, who it is said was a favourite of Jah Shaka. 'Take It Easy' was produced by Ricky "Mad Man" Myrie, a key figure in reggae/dancehall production since the early 90s and someone now just as known for working with Sean Paul and Capleton. Gumbae Culture's sharp vocals lead the way on a deep, dubby, cavernous track that was recorded at Philip Smart's iconic HC&F Studio with engineering by Michel McDonald. Haunting xylophone, sharp snares, and deep subs drive it onward and if you like it more stripped back then flip it over and dive into the version.

Nuron's new 'DAT Tapes' volume makes you want to shake DAT arse! Continuing his journey on De:tuned with yet another selection of exhumed DAT tape saves from old forgotten and attic-bound "vaults" - well, apparently, though these tracks sound decidedly modern, such to the degree that we'd be totally blown away if it was truly the case that these were made in the 90s - the producer also known as Nurmat Jusat deploys four fulsome measurers in the vein of classic bleep techno and pythagorean electro. This one's best features are its zapping yet mega-harmonic chords, best heard on the harmonic breakdown heard on the bustling furore that is 'Jungle Frenzy'.

Formed by LA-based drummer Tommaso Cappellato in conjunction with pianist Alberto Lincetto and bassist Nicolò Masetto, the group is known for their experimental blend of eclectic jazz, funk, downtempo beats, and vintage Italian library music. On this release, they are showcasing their foray into Italian vocals. The A-side "Luce" is a vibrant track that combines 80s jazz funk elements with a touch of boogie in an extended multi-rhythmic version that keeps the energy grooving. Flipping to the B-side, "Luna Gioia" offers a modern interpretation of downtempo Brazilian-funk and slow disco, accompanied by an instrumental version that allows the music to shine on its own.

Neapolitan Daniel Monaco returns on the Rush Hour Store Jams imprint with another disco heavy two tracker, with vocals from TK daMonza. Two feel good songs, to calm and comfort your soul... 

“Django” and “Japanese Funk Machine” are 2 mid80s outstanding avant-garde dance tracks released by UnknownmiX, a Swiss avant-experimental group with unique vocal, punkish/art-pop/minimal wave atmosphere, solid synth and percussions in an anarchic world.

At the center of the project were the very talented vocalist Magda Vogel and the well-known experimental composer Ernst Thoma, who with this radical project sought to push boundaries and explore extremes with sounds that moved between tribal and distorted far ahead of their time.

The remixes were made by cosmic wizard Daniele Baldelli, assisted by the faithful Marco Dionigi, and Delphi (half of Tiger & Woods)