Collection: New Releases

2000black releases it’s second LP ’27’. A continuation of the afro futuristic sonic exploration, kept in its raw form. London boogie & house not house working under jazz influences, made for dancers footwork in heavy club grooves all spread over two pieces of vinyl. Finally a follow up to ‘A Next Set A Rockers’

“Magic Happens” is the very first release by Fabrizio Fattore on his new label Life Cycle. Life Cycle embodies the sacred union between Life and Music, both flowing within an eternal cycle of experiences, adventures, and dimensions — a boundless musical journey beyond time and space. This debut release, Magic Happens, marks the moment when, within the act of creation, the unseen unveils itself — when magic arises and everything reconnects with the Universe through the language of music. A true journey to be listened to and danced to, with three unique tracks, each one carrying its own vibration, inviting you to lose yourself in the infinite shades of sound.

Metallic Print Sleeve Johnny Sais Quoi releases his debut release on Music From Memory - a 7-track LP entitled ‘Love On Ice.’ Channelling the spirit of Italo-pop and New Wave, ‘Love On Ice’ was crafted in the whirlwind of spontaneity and energy that changing circumstances often bring. Born from transition and exploring themes of leaving, arriving, coming together, and breaking up, ‘Love On Ice’ serves as an outlet to process, escape, and celebrate the challenges of a new life. Johnny crafts exquisite dancefloor-focused pop—familiar yet unique, imbued with his own touch, a distinctive sensibility, and a knack for infectious hooks. The opener, ‘No Guilty Pleasures,’ sets the tone immediately as Johnny works his magic with a palette of synths, drum machines, picked guitar, and processed vocals. The title track, ‘Love On Ice,’ delivers a classic Italo-infused dancefloor bomb, featuring a driving synth bass line overlaid by hypnotic arpeggios. There is much here for the dancer, but ‘Love On Ice’ also ventures beyond the dance floor; the closing tracks ‘Ref 23’ and ‘Let's Find A Home’ are prime examples, both showcasing Johnny’s depth and range with their melancholic, mellow atmosphere.

New compilation by Coco María on her own new founded imprint Club Coco. Comes with a 4 page folded insert. There are albums that aren’t just listened to—they’re lived in. Club Coco – New Dimensions in Latin Music is one of them. This compilation, curated by Coco María, marks the first release on her own label and serves as a sonic portrait of what Latin music can become when it’s guided by intuition rather than labels. Eleven tracks open the windows and cross continents as effortlessly as changing a song. Here, Neapolitan synthesizers coexist with digital cumbias, voices whisper from within the groove, and rhythms invite movement—without urgency or pretense. This selection isn’t defined by a genre but by a feeling: that of someone dancing with an open heart and keen ears. Each track is a postcard from a corner of the world, and also a love letter to rhythm and the emotions it stirs. From Bogotá to Naples, passing through Lima, Amsterdam, and New York, this compilation offers a journey where past and future brush against each other in the present moment. Club Coco doesn’t aim to define a sonic truth, but to invite listeners to discover new ways of hearing and feeling. The party has already started. Come on in.

Emerging from the depths of private-press obscurity, The People’s People Present The Spirit of David is a remarkable testament to the ambition and discipline of its creators. This singular album, originally recorded in 1974 and released in 1976, marks the first original work by tenor saxophonist Jeff Jones, who also arranged, wrote, and conceptualised the project.

Kennedy's fourth outing via his Dream Machine is another translation of fleeting thoughts and feelings into sound. This time he touches more on club aesthetics and dancefloor experiences across three house rituals that speak equally to the head, heart and soul. Side A taps into a rhythmic spell that hums with nostalgic warmth. Through it all dances a whimsical melodic spirit that's lighthearted but contemplative. Sugary chords fizz and cast a gentle trance that feels classic but ageless. B1 jacks like a Chicago house fever dream while jumbled congas evoke a midnight jungle ritual. Prickly acid pierces the tropical mirage as the air hums with the scent of rain and sweat. B2 features a playful and stripped-down rhythmic rework plus a hidden tool that offers double the fun to get creative DJ juices flowing. A vivid transmission of body music and inner worlds, 'Dream 4' channels club thoughts into richly textured house incantations for dancefloor escape.

Lontra is the new project from Brazilian born, Colombian based producer, and musician, Guille Katorzi. The inspiration and influences for this particular project were drawn from diverse sources, including disco, house, Nigerian boogie & afrobeat. The instrumentals were and produced in Bogotá with Guille laying down the guitar & bass parts which the songs were built upon. After sending the demos to vocalist Sir Jean (Voilaaa/Sir Jean & NMB Afrobeat Experience), with an invitation to collaborate, he was thrilled to receive a warm response to the songs from Sir Jean and so travelled to France in 2023 to record vocals in the singers' home town of Lyon. Returning to Bogotá, a selection of top brass musicians contributed their blazing horns to the project. Opening up the EP, "Money, Money" serves up a lively disco beat with percussive Afrobeat highlights, funky guitar licks & Afrobeat inspired horn parts, backed by an irresistibly groovy bassline, setting the scene for Sir Jean's lyrical warning "money cannot buy your soul". Dropping some of the Afrobeat accents and staying closer to the centre line, "Life Is Movement" is a dancefloor focused track where Katorzi's guitar hook pairs with a restless bassline over which Sir Jean's vocal delivery shines. The flipside begins with a sensuous overture on "Mysterious". A loose Afro-beat & guitar syncopation provides an inviting space for the horn section's refrains and solos. The arrangement allows plenty of room for the listener to become intoxicated by the groove, before Sir Jean opens his heart with the emotive ode to someone we learn of only as..."Mysterious". Closing out proceedings is a more driving club track. The Lyon & The Hunter... where Sir Jean sings a warning wrapped in metaphors while Lontra throws down a club focused punch that deftly dances between funk, house and afro flavours while the scorching horns set the lot aflame. The culmination of different inspirations and intonations imbues the project with a vivacity and richness in colour that reflects the multi-cultural assembly of players. Canopy is delighted to welcome the talent of Lontra to the family and are happy to say that this is the first in a number of exciting projects that this artist is serving up

TIP! Vibrapohobne Records presents Minimal Vison - Unreleased Chronicles (12") The legendary duo found forgotten tapes and now the music will finally get the well deserved pressing! Timeless and highly recommended gems from the time capsule! * These tracks were long-forgotten recordings, rediscovered purely by chance when one of us moved house. In the process, an old Atari ST 1040 computer was unearthed from a box, and as we sifted through its stored files, we stumbled upon this material—music recorded in our home studio years ago. We've decided to release it as a testament to the power of creativity and the ability to produce music even with modest equipment, proving that a professional studio isn't always a necessity. * Stefano Curti

TIP! "THE SOUND OF SOMETHING ENDING" In a sea of disposable cookie cutter music HIEROGLYPHIC BEING continues to be a singular voice in the crowd. The 12 track deftly maps the intersection of house, techno, and EBM, while maintaining the curiosity of free jazz & the DIY of punk.

Tyree production, available for the first time since its initial release in 1993. Radio, inst,& dub mixes all deliver the quintessential 90s vibe, complete with Korg M1 piano and sax riffs.

Daniel Monaco Band is an international group led by Italian bassist Daniele Labbate. Blending jazz, funk, house and disco with live energy, their debut EP ‘Get Naked and Fly’ captures years of collaboration and experimentation. The result is a warm, analog-driven sound crafted by seasoned session musicians who’ve toured the world and are now channeling their creativity into original music as a group. Lead track ‘Love Ago’ delivers modern disco with the authenticity of the golden era, ‘Mimouna’ has a psychedelic edge, with the WHODAMMANY remix taking the original into a more electronic direction. ‘The Devil Left Dancing’ takes a subtly off centre path, nodding to Brazilian influences, while the title track ‘Get Naked and Fly’ is raw and instinctive blending live instrumentation with electronic sensibilities. The project is a testament to what happens when musicians trust each other enough to explore freely without chasing perfection. A live band speaking house, funk and jazz with one voice — analogue, soulful, and free. Personnel : Percussion by Yannick Van Ter Beek, Drums by Robin van Rijn, Sax by Alessandro Russo, Guitar by Simone Cesarini and Bass by Daniele Labbate.

House Jammies Volume 2. by Tommy Le Frère also know as Redray Mastered by Yves De Mey

House Jammies Volume 2. by Tommy Le Frère also know as Redray Mastered by Yves De Mey

Following their rattling 45 Cry / I’ll Be There Now and the wiry full-length My Mother Was a Friend of an Enemy of the People, Blurt returns to All City with Mecanno Giraffe - a new 12" capturing Ted Milton’s band of beat-punk absurdists in full, surreal stride. The A-side delivers the title track: Mecanno Giraffe, a spiky, off-kilter groove threaded with Milton’s unmistakable bark, rhythmic sax blurts, and angular momentum that feels both mechanical and oddly animal. It’s Blurt as alwaya: driving, dry-witted, and defiantly out of sync with any prevailing trends. On the flip, Milton shifts gear with a number of spoken word pieces. Stripped bare, intimate, incantatory. More Artaud than Allen, these pieces reveal another facet of Blurt’s singular frontman, echoing threads found in recent interviews tracing his ongoing collision of poetry, punk, and performance. Third strike on the label and still no sign of softening. Mecanno Giraffe proves that Blurt still remains gloriously out of step, part animal, part machine!.

There’s a reason they call it deep House. On 'The New Jersey' EP, DJ Romain doesn’t just nod to his roots, he digs into them, scooping out a warm, rhythmic core that pulses with sweat, memory, and reverence. This is not a revival or a pastiche; it’s a love letter etched in drum machines and delay, from a producer who’s lived the lineage. A fixture of late-’90s NYC dance floors, Romain cut his teeth in the city’s thumping underbelly, learning from the likes of Todd Terry and later carving his own signature into the genre’s sidewalk. Across these four freshly cut tracks, Romain channels the same urgency that once drove dance crews, celebrities, and nightlifers alike into motion, and still does. Lead track “Hello New York” is a no-nonsense DJ tool, a serrated slice of big room energy built around snapping snares, a jackhammer kick, and a spoken word vocal that bristles with pride and uplift. “Put more cut in your strut… pride in your stride” - it’s part mantra, part mission statement. “But It’s Alright” flips the vibe, conjuring up basement jazz sessions through dusky chords and a muted, plucked bassline that slinks like a late-night subway ride. On “Check Your Pockets,” the energy turns inward and abstract, a woozy, psychedelic House jam that feels like dancing through a heatwave haze. He wraps the record with “Deep Inferno,” a peak-time burner full of sticky Afro-funk polyrhythms, clashing vocal chops, and steam-pressure percussion. It’s unhinged, hypnotic, and gloriously raw. Having revisited his archive with ‘The Lost D.A.T.S.' series, Romain returns to Hard Times not as a nostalgia act but as a flamekeeper - still innovating, still sweating, still firmly on the floor. The New Jersey EP is a love letter, yes, but it’s also a reminder: House never left. It just got deeper.