MÚSICA PARA BOLICHE takes us to Argentina. Along the journey, we will discover that Maradona is not the only thing we have in common with our cousins across the ocean. Let’s dive into the 1980s Buenos Aires scene, a time straddling dictatorship and disco music, in search of dusty gems forgot-ten even in their homeland. The EP contains four tracks spanning Italo, electro, and proto-house, carefully selected by Jack Bulgaro, restored, and edited by DJs from Italy and Argentina.

350 copies - Hand Stamped. First release from Takeovers Music run label Mama Said No! featuring 2 edits and one unpublished track. Groovy stuff that will make your hips rock and your feet sore. Comfortable dancing shoes are strongly recommended!

BPlan & Fab_o's sixth release on their label delivers serious flavor with a four-track EP also featuring Raregems. On the A-side there are two dancefloor killers from BPlan & Fab_o, showing off a strong African rhythm and a groovy number with disco horns - all the elements to light a dancefloor on fire. On the flip side, Raregems contribute two slow and sexy tracks from their archive, offering rare gems indeed. With each track bringing its own unique flavour, this EP is a fantastic addition to the series.

The new Parrish single appears on vinyl in the form of two mixes differing in vibe but consistent in quality and suitability for DJ use. The original rides along on a shuffling, almost Afrobeat version of house, with Maurissa Rose's gorgeous vocal floating above the gloopy, hypnotic bassline which gets the full filter treatment. The instrumental dub places that b-line very much at the centre of the mix, starting from a single kickdrum before building up to a more techno-edged, vocal free climax. all throbbing bass, solid bears and minimal, glitchy keyboard interjections.

Sound Signature's latest release is an all-star crew affair, with an impressive cast list of vocalists, musicians and producers joining main man Theo Parrish in the studio. He's at the controls on the sublime A-side mix, a jazzy affair where layered twinkling electric piano motifs, spacey chords, jazz-funk riffs and sumptuous deep house grooves combine on a fearlessly loose and organic dancefloor workout. On the flipside friend of the family Dego offers his interpretation, adding even more warmth and some tasty additional hand percussion parts whilst wisely utilizing most of the original version's intricate musical elements.

A Guy Called Gerald's soundtrack for the 1989 'acid house novel', Trip City.

Back in 2012, long-serving Italian producer Marcello Napoletano decided to launch a new, highly limited-edition series, the 'Private Collection'. Since only 100 copies were available direct from the producer, it was effectively a private press EP of machine-powered club cuts from his personal archives. 12 years later, he's decided to reissue it and make it available to a wider audience. This is a very good thing indeed, because the material is - to quote a certain fictional broadcaster from Norfolk - top class. Check first redlined EBM-meets-Chicago house opener 'L'apparzione', before submitting to the early Larry Heard style excellence of 'Fuck the Machines'. Over on side B, 'You Know This Groove' is a solid chunk of Rhodes-smothered, Detroit style deep house dustiness, while 'Stay Forever' is a spacey, squelchy and star-gazing slab of intergalactic house futurism.

Multi-artist EPs have all been all the rage of late, though few can boast quite as strong a line-up of artists as this one from dependable French deep house label Phongramme. It begins with a gorgeous chunk of detail-heavy, sun-splashed electronic deep house brilliance courtesy of Abacus (an artist whose discography also contains outings on Prescription, Innermood and NDATL Muzik) and ends with a vibraphone-solo sporting shuffler from the effervescent Byron The Aquarius and Computer Jay ('When The Freaks Come Out'). Sandwiched in between you'll find two more must-have workouts: the bumpin', brilliant and spiritually uplifting 'States of Motion' by Fred P, and a typically dusty, jazzy and warming number by Colombian hero Felipe Gordon ('The Gordon Way').

Steve Poindexter and Traxman's Factory Music Chicago imprint has been around for a while, though releases have historically been occasional rather than regular. This split EP, featuring three acid-fired jackers apiece from Traxman and Slick Rick Da Master, is only the label's fifth vinyl outing - and fifth in total. Traxman handles side A, confidently striding between the mind-mangling jacking stomp of 'Pulaski Road', the lo-fi acid crankiness of 'Get Some Act Right Acid' and the sleazy and breathless TB-303 insanity of 'Warp Acidz Warp'. Turn to side B for Slick Rick Da Master's three heavyweight contributions: the mind-bending hypnotism of EP highlight 'Acidbo 1', the sample-rich nostalgia and red-lined beats of 'Everybody Dance (dub)' and the effects-laden trip that is 'Acid Jack'.

First compilation album of works from Argentine synthesizer maniac Nacho Marty Meyer... Tip! Since the 80's, Meyer has been interested in synthesizers and electronic music, and started making demos. The compilation includes the Italo disco track 'Magical Journey', previously released under the name Xarion, which is now a hard-to-find record.

Craigie Knowes has solidified its standing as a label synonymous with quality electro and techno releases. Known for its consistent ability to unearth and champion fresh talent, the label's latest addition, Obergman's Pentaquark EP, continues this tradition with commendable flair. This new offering, marked by its distinctive blend of classic electro and modern dance floor sensibilities, is a testament to Craigie Knowes' keen ear for cutting-edge sounds. The EP opens with "Quasiparticle," where a melodic hook resonates with echoes of "Blue Monday." Its crisp, metallic quality and syncopated rhythm create a hypnotic effect that is both captivating and rhythmically engaging. Following this, "Omega Centuri" delivers a satisfying dose of acid-infused, chugging beats that cater to the needs of any club environment. On Side B, the title track "Pentaquark" presents a dark, spooky acid bassline, showcasing Obergman's skill in blending eerie atmospheres with classic acid sounds. Finally, "Cuspy Halo Problem" rounds off the EP with its crunchy drums and a similarly dark, acid-tinged vibe. The Pentaquark EP is a fine addition to Craigie Knowes' roster, reinforcing the label's reputation for releasing high-quality, innovative electronic music. Obergman's latest work is a prime example of the label's commitment to pushing the boundaries of the genre while maintaining a solid connection to its roots.

We're surprised that the superhero league The Jazz Avengers aren't more spoken about: the idea seems so familiar yet uncannily unknown, we wonder if the notion of a superhero troupe composed of entirely of Black jazz musicians would've been too disturbing for the US Empire not to suppress. Taking after the idea, Bryan Hervieu's 'Jazz Avengers' EP is an elegant quadruplet of boat-rocking house beats, holding more sway in the domain of vibe than they do in the way of big generic ideas. Igaxx and DJ Dreamboy's 'Through The Night' and 'New Life' move at similar tempi yet vibe at different freqs, the former waxing cowbell and dusky padwork, and the latter serving a relatively purist, calculative 808 jam energy. Jarren's 'Summertime In The 323' segues quite seamlessly out from this session mood, though it does add some surreal, pitch-convected plucks; Hanna's 'Prayin'' is the only soul curveball, its syncopated, pre-one DX7 E-Piano chord preset mixed to an impeccable, gut-churning quality.