Collection: Products

The upcoming release scheduled for 2026 is made by the Irish London-based artist Cherrie Bea. Emerging electronic artist carving out a distinct space in the UK scene with thoughtful, deep and atmospheric productions that blend house, ambient textures and soulful guitar work. Their debut EP Jafar’s 21st introduced a warm, late-night sound that’s already earned support from underground tastemakers and NTS. Their latest release, Pearlescent, highlights Cherrie Bea’s playful, experimental edge, a collection of carefully crafted tracks that invite listeners to feel, interpret and experience the music in their own way Cherrie Bea stands as a reserved and introspective figure within the electronic scene, serves as a true statement piece, live instrumentation, ethereal synths, processed vocals, and dense harmonies wrapped in a late-night / early-morning atmosphere. The forthcoming “Pearlescent” EP, released on Series of Taboo, fully embraces that mindset: 4 tracks blending house, funk, and a touch of electro.

From Japan, Tokio Ono presents a stunning collection of fourth world & ambient dub explorations! Yokohama multi-instrumentalist Tokio Ono eases into the Accidental Meetings' family with an array of Japanese folk tinged avant-dubs, drenched in beautiful texture. The elusive artist has spent much of his life in his hometown with a view of the Yokohama waters, before settling into a new environment in Tokyo where Peel gradually took shape. The essence of a given situation emerges as you peel it away, these tracks were inspired by the accumulation of days and flashbacks of memories: layers to peel joyfully from our lives, while offering a slightly shifted and refreshing perspective on one’s surroundings. It's a dreamy journey from open to close, Ono's world engulfs you in a blissful dubbed out wormhole. Featuring a flip from the sound system royalty of Seekers International to top it off, Peel is a unique and exquisite piece of work.

Dutch bass player Joop de Graaf is back with his Y.O.P.E. project after the first EP 'Lost but Here' dropped in 2022. His debut album ‘Peer Pleasure’ explores an intriguing electronic world of sounds, with a foundation built on a danceable fusion of improvisation, beat-driven, jazz, and soul music. Keeping this foundation strong, Y.O.P.E. has started to make more fully composed songs instead of only beats and grooves. Y.O.P.E. is telling the ups and downs about friendships with their instruments but also with lyrics and works together with upcoming artists such as Sam Nera. There are a lot more features this time, like Diana Dzhabbar on flute, the Rotterdam-based NIA on cello, and Avvnt MM with electronic programming. Y.O.P.E. managed to bring all these ingredients together in a cohesive sound, and it's some of the most cutting-edge music out there.

Dutch-Surinamese multi-instrumentalist Ronald Snijders flaunts both a light touch and larynx on his latest LP for Night Dreamer. Always having drawn on jazz, Latin, Brazilian and Surinamese international musics, and bringing them together to form one confluent dialogue, Snijders is known for his pioneering, never-heard-before fusions. This stunning set of direct-to-disc single takes adds yet another cameo to his ever increasing vault of reliefs. This time we hear the musician take up his signature instrument, the flute, over several other instrumental contributions, by a swath of players including Yoran Vroom, Jeroen Vierdag, Mike Del Ferro and Efraim Trujillo. With the classy edge of a classic jazz funk record, Snijders is sure to once again impress even the most seasoned of jazz heads here, with high hopes for an expanded scope of recognition outside his native Netherlands.

Craigie Knowes has solidified its standing as a label synonymous with quality electro and techno releases. Known for its consistent ability to unearth and champion fresh talent, the label's latest addition, Obergman's Pentaquark EP, continues this tradition with commendable flair. This new offering, marked by its distinctive blend of classic electro and modern dance floor sensibilities, is a testament to Craigie Knowes' keen ear for cutting-edge sounds. The EP opens with "Quasiparticle," where a melodic hook resonates with echoes of "Blue Monday." Its crisp, metallic quality and syncopated rhythm create a hypnotic effect that is both captivating and rhythmically engaging. Following this, "Omega Centuri" delivers a satisfying dose of acid-infused, chugging beats that cater to the needs of any club environment. On Side B, the title track "Pentaquark" presents a dark, spooky acid bassline, showcasing Obergman's skill in blending eerie atmospheres with classic acid sounds. Finally, "Cuspy Halo Problem" rounds off the EP with its crunchy drums and a similarly dark, acid-tinged vibe. The Pentaquark EP is a fine addition to Craigie Knowes' roster, reinforcing the label's reputation for releasing high-quality, innovative electronic music. Obergman's latest work is a prime example of the label's commitment to pushing the boundaries of the genre while maintaining a solid connection to its roots.

BufoBufo

Conclave

Various

Music From Memory return with a further six tracks from Dutch musician Richenel. Continuing with recordings taken from his debut album 'La Diferencia’, originally released in 1982 on the cult Amsterdam cassette only label Fetisj, the tracks on Music From Memory’s second EP ‘Perfect Stranger’ includes alternate takes drawn from Richenel’s personal copy of the album alongside a further composition which didn’t make it onto the original Fetisj cassette. Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam’s underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the ‘La Diferencia’ sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness. A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam’s musical and cultural history and one that is deserving of a much wider audience. ‘Perfect Stranger’ is co-compiled by Orpheu De Jong

Perro Bueno Edits

Krywald & Farrer

DJ and producer based in Amsterdam, Netherlands.

Pete Blaker returns to RNT with 2 glorious long-play sides of edit mastery. On side A, Miami Sax is a bit of funky 80s fusion for the jazz Uncs, teased out and looped up to dizzying perfection, with the blissful soul of Must Be Love on the flip, for the disco spinners . Both extended loopy journeys of dancefloor euphoria, already getting big support from Harvey, Hunee and company!