Collection: Sample/Edits

After over 40 years and with great pride we bring to light in the formidable Maxi 45 single format another great little gem hidden in the vast panorama of Italian disco. Author, painter, poet and all-round musician, Luciano Angeleri collaborated on the project with enthusiasm and exceptional enthusiasm. With his inimitable humor he gave us many laughs and beautiful reflections on an unparalleled golden age. Thank you so much Luciano! The Pink Colored Vinyl in Limited Edition, in addition to the two hits “Un’ Estate di Sesso” and “Donna”, offers two modern versions on the B-Side: Lance with a jaunty Re-Edit and our Marta Paradise with a real King -Work with a retro futuristic flavour. May the Italian Summer be with you…

Suburbs of Milan, 80s, Milano da Bere. An astronaut, a paparazzi, a dirty cop and a private investigator sip Punt and Mes and discuss the latest Versace show. “Star Italiana” wants to represent the Italian imagination of the 80s, an era lived at the top, full of charm, hedonism and contradiction. An indelible period stuck between social revolution and technological transformation, lunar journeys, cold war and electronic batteries 808. Thanks to the the songs on this album, the authors deal with themes such as passion (“Marlboro Light”), politics (“Polizei”), culture (“Shooting Star”) and social affairs (“Paparazzi”), all seasoned by a healthy dose of irony personified by the characters photographed on the front cover. It’s music characterized by lively rhythms, pulsating synthesizers, pounding melodies, morning-after drums, all shaping the characteristic sound of the era: ITALO DISCO.

MÚSICA PARA BOLICHE takes us to Argentina. Along the journey, we will discover that Maradona is not the only thing we have in common with our cousins across the ocean. Let’s dive into the 1980s Buenos Aires scene, a time straddling dictatorship and disco music, in search of dusty gems forgot-ten even in their homeland. The EP contains four tracks spanning Italo, electro, and proto-house, carefully selected by Jack Bulgaro, restored, and edited by DJs from Italy and Argentina.

350 copies - Hand Stamped. First release from Takeovers Music run label Mama Said No! featuring 2 edits and one unpublished track. Groovy stuff that will make your hips rock and your feet sore. Comfortable dancing shoes are strongly recommended!

BPlan & Fab_o's sixth release on their label delivers serious flavor with a four-track EP also featuring Raregems. On the A-side there are two dancefloor killers from BPlan & Fab_o, showing off a strong African rhythm and a groovy number with disco horns - all the elements to light a dancefloor on fire. On the flip side, Raregems contribute two slow and sexy tracks from their archive, offering rare gems indeed. With each track bringing its own unique flavour, this EP is a fantastic addition to the series.

TODDSONIC33's Yes EP on Hot Biscuit Recordings is a fresh take on classic disco vocals, transformed into a modern Chicago house sound with a deep house twist. Side-1 starts off with 'Yes,' a track that features a jackin' beat blended with post-disco vibes. The result is an exciting track that captures the essence of both eras, creating a rhythmic pulse that drives the dancefloor. On Side-22, 'Make Me A Woman' and 'Deesko Music' continue the exploration of High NRG disco vocals within the Chicago house framework. 'Deesko Music' stands out for its innovative use of vocal samples, skillfully integrating them into the Chicago house sound in a way that feels both fresh and natural. TODDSONIC33's approach to blending these vocal elements with deep, groove-heavy beats is both classy and distinctive, offering a new perspective on how disco can be reimagined in the house genre. This EP is a standout example of how classic sounds can be innovatively updated for modern audiences. These will bring a different and original peak to dancefloor madness.

Italian twosome Gino and Dino (that's G&D to you and me) have released some of the most on-point and well-crafted re-edits of recent times. Their EPs are always worth a look, and this one - the first of two featuring other editors alongside the popular duo - is no exception. They begin on side A with 'PeeGee870', a fine version of a low-slung, synth-sporting Italian disco chugger from (we think) the turn of the 1980s, before moving on to the eyes closed disco bliss of 'understanding', where heady lead vocals and sweeping orchestration catches the ear. Over on side B, the previous unheard G.Bros and In.an offer up their 'Balearic' edit of 'Polpette', joining the dots between laidback, loved-up disco, quirky Balearic colour and huggable dancefloor lusciousness.

Milo Johnson AKA DJ Nature is not a newcomer to the re-edit scene - he's been serving up reworks, bootlegs and floor-focused DJ tools for decades - but he has become more prominent in recent years, thanks in no small part to the efforts of edit specialists Hot Biscuit Recordings. Here he delivers the second part of his Versions project, offering up six more revisions stretched across two slabs of wax. Check first the lightly dubbed-out, string-laden jazz-funk shuffle of 'Felix', before admiring the summery South American jazz-fusion brilliance of 'Caso De Amor de Brasileiro' and the low-slung funk-goes-jazz-dance headiness of 'Steppin'. His love of low-slung, dub-flecked workouts returns on EP highlight 'Tarzoon March', before he reaches for the lasers on disco-funk jam 'Disco Queen' and successfully tampers with a jazzy deep disco number on 'Have Mercy'.

Hot Biscuit Recordings' has spent the last couple of years delivering killer re-edit EPs, mostly from veteran talents including Rahaan and the Idjut Boys. For this 12", they've recruited another long-established re-editor, Brooklyn-based Japanese-American producer (and East Village Edits main man) DJ Monchan. There is of course a big fat slice of heavily orchestrated disco on show - B-side 'Finally', which seemingly extends and rearranges Steve Bendner's 1977 version of 'The Final Thing' - but it's A-side 'Silent Dub' that hits home hardest. It's sees the Dailysession Records founder turn his attention to a sparse, spaced-out synth-pop record of (we think) the 1980s, re-imagining it as deliciously deep and dubby house record full of trippy effects, echoing vocal snippets and delay-laden percussive elements.

Edit & Dub

Edit & Dub

Edit & Dub

Jellyfish