Collection: Products

Less than a minute into the first track of 'Ce Es Music', Jordan Zawideh slams a relentless loop of a chopped lo-fi vocal sample: a jacking "House Me!". That sample will linger, distorted and reassembled, throughout this double-pack, freshly released on the consistently unpredictable No 'Label'. Zawideh channels the raw and ardent machine rhythms of classic early Chicago house era. Interspersed literal and hypnotically repetitive short vocal loops recall the Muzique crew's edgier iterations of this classic sound. It's a relatively straightforward idea, but one that's meticulously executed with such an individual touch to shape classic tropes into refreshing and unorthodox sonic forms.

Alexander Robotnick

Cedar Room Party

Celebrity BBQ Sauce

"CEREBRAL LAND & SOUNDSCAPES" GLENN UNDERGROUND coming correct on his second release of 2025 with 3 new original tracks. "LUMINESCENCE" hits the deep jazzy chords, while A2 "CHITALITY's" bouncy bass & drums bring the jack. B1 crosses the border into techy experimentalism.

Pianist, arranger, composer, and producer Cesar Camargo Mariano (São Paulo, September 19, 1943) is one of Brazil's most celebrated and sought-after musicians. In the early '60s, just as the bossa nova was taking its baby steps toward enchanting the world, a teenage Cesar became famous for his ability to swing and for his now-legendary left hand. His ensembles of that era, notably Sambalanço Trio and Som Tres, are regarded as high points in Brazilian jazz; so is his 1981 album Samambaia, one of his thirty-plus instrumental albums. Cesar's collaborations with many of Brazil's most important singers, notably Wilson Simonal and Elis Regina, have brought him worldwide acclaim; the historic 1973 album Elis and Tom, made with Antonio Carlos Jobim, features Cesar as arranger, pianist and musicial director. Since then, Cesar -- who now lives in US -- has worked with an international array of giants, from Yo-Yo Ma to Blossom Dearie; he has also composed a wealth of soundtrack music for film and TV. On his thirteenth birthday, Cesar receives a piano from his father and starts playing by ear, never having studied music. Nine months later (June 1957), the American trombone player, Melba Liston, invites Cesar to participate in her concert at a jazz club in Rio de Janeiro, and he appears in a special program on Rio's Globo Radio called "The Boy Prodigy Who Plays Jazz." This same year, Cesar meets Johnny Alf, who comes to live with Cesar's family due to the great friendship and warmth among them. Together at the family home in São Paulo, Cesar becomes familiar with secrets of arranging, composing, and the arts of cinema and theater, thanks to Johnny's encouragement. Studying with his father, a music teacher, Cesar starts to try to learn the theory behind the things he plays and hears. About two years of frustrating attempts follow. Cesar continues playing by ear, forming amateur instrumental and vocal groups, when TV-Record in São Paulo invites him for a special called "Passport to Stardom," which recounts the story of his life and in which he plays for an hour with a trio. Father of Maria Rita, Pedro Camargo Mariano, and Marcelo Mariano

Italian euro house-italodance project Liliana Richter, Varo Venturi

Various

Robert Bergman

Dj Joe Lewis

An essential Roy Ayers album blending soulful jazz roots with crisp 1970s funk. Step into the vibrant soundscape of the 1970s with “Change Up the Groove”, a hidden gem from Roy Ayers Ubiquity’s early Polygram years. Often overlooked in favor of Ayers’ bigger hits, this soulful album is a masterclass in jazz-funk fusion, capturing the essence of Ayers’ evolving style as he bridged the gap between his jazz roots and the rhythmic snap of the '70s funk revolution. From the very first track, Ayers’ signature vibes take center stage, shimmering with emotion and groove. The album leans heavily into instrumental richness, with standout contributions from jazz greats like the legendary Bernard Purdie on drums. Strings weave in and out subtly, enhancing Ayers’ already deep and textured arrangements. Highlights include the undeniable funk of ‘The Boogie Back’, a breakbeat favorite for crate-diggers and DJs (sampled by the likes of NWA, 2Pac, De La Soul…), and a lush, electrified rendition of ‘Feel Like Makin’ Love’ that glows with mellow soul. The title track ‘Change Up the Groove’ delivers the kind of tightly arranged, emotionally charged funk that defined the era.

Imagination