Collection: House
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Cat: SPC 143
While glassy-eyed, loved-up and overtly dreamy house with notable early '90s references has become something of a cliche of late, that's no criticism of Patrick Holland AKA Project Pablo, one of a small band of producers who helped kick-start the trend a few years back. As this outing on Spectral Sound shows, he's still miles ahead of his rivals. The EP sees him giddily charge between colourful, emotion-rich deep house retro-futurism (the sci-fi sounds and peak-time hustle of opener "The Solution"), swooning, dubby mid-tempo dreaminess ("Pressure No Impact"), jaunty and melodious loveliness ("Big Room Delusion") and the kind of clonky, metallic fare that recalls all manner of classic underground cuts from 1990 ("Pill").
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Cat: DR 002
Last year Leon Atter made his debut as Xtra Brux on CoOp's third "Selectors Assemble" compilation, following it up earlier this year with a track on Dance Regular's debut EP. Here he returns to the latter label with his first solo EP. First up is "Dubz 4 Dancerz", a deliciously dirty fusion of heavy, garage-style bass, crunchy broken beats and sweaty vocal snippets. It's followed by the similarly inclined "I Need U", which sounds like the kind of weighty, loose-limbed roller that we can imagine Toddla T dropping, and the UKG/broken beat fusion of "Hush", whose cut-up vocal snippets doff a cap to Todd Edwards. To round things off Atter reaches for the wobble bass and organ stabs with great success on "Deep Down Inside".
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Cat: VIAGGIO 03
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Cat: KOMIX 4PDJ
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Cat: PG 061
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Cat: TFAD 7
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Cat: HZO 11
The crew behind the Hizou label is rightly chuffed that they've managed to secure this two-tracker from Andres, a Detroit producer whose releases - whether aimed at deep house dancefloors or hip-hop heads - are rarely less than superb. The two tracks the label has selected are suitably strong, too. Check first A-side "All U Gotta Do Is Listen", a warm and hazy chunk of break-driven mid-tempo deep house rich in jazzy samples, swirling crowd noises, chunky bass and dewy-eyed instrumentation. Andres' vintage influences are explored further on flipside "Night Time Is The Right Time", a P-funk influenced deep house bumper whose swinging drums and elongated organ chords casually tip a wink to classic New Jersey garage.
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