Collection: Techno

Miscellaneous Ep from the well known duo Fortino & Brody with sounds ranging from house to techno, powerful vocals and acid vibes. The best of the Connessioni series!

Fresh Blood straight from NYC, big tip!! NYC’s underground producer Sweater On Polo back on the machines for the first release on Signal Route. “Mechanical Confusion” favors the techno and basement house approach of early 90’s Chicago innovators found on labels such as Dance Mania, Relief Records, and Saber Records. His style and approach carry a familiar old school angst, creating an intergenerational dialogue between the now and then. Going from acid house, to techno, and then synth punk, this 6 track EP captures the relentless range of the young artist.

** silkprinted sleeve. ltd edition Antwerp-based freaks City Suckers compose rythms on various hardware and vintage drumcomputers, with the use of fx-send, samples and sequencers. Progressing loop-based compositions, layering patterns into a painting of rhythms, bass and keys. Mastered by Yves De Mey.

2025 edition of Red Planet 6 - 4 tracks taken from the 1995 doublepack. Those buried in the soil of the red planet dance forever in the afterlife. You can hear their rhythm in the dust storms at night

2025 edition of Red Planet 5 - 2 tracks taken from the 1994 doublepack The harsh Martian winter has begun. Survival is not guaranteed, even to the most prepared. Rhythmic sound is essential for body functionality.

Now here's an absolute romp from LNS & DJ Sotofett. This has big room appeal, but not in a commercial way - think big massive warehouse space where dancers clench teeth when a monumental bassline finally kicks in. Static beats leave all modulation to gritty fist pumping stabs, and a breakdown with filtered halftime arpeggio only breaks ice with a proper drob followed by "club wonderland" type pads. B-Side's "Buzzy Breaker" by DJ Sotofett is polyrhythmic Techno that for its first half consists of a kick, stab and dubs only. Passing the tracks waist it fully transforms into big system Breakbeat with incoming pads sounding like a harmonic locomotive rushing by juxtaposed bars. After a junglized breakdown all elements are bombastically sown together manifesting the repetitive elements of both A & B Side cuts as simply deep and deadly. T THIS 12" IS CUT WITH LOUD VOLUME FOR EXCELLENT CLUB USE!

Berlin scene figurehead Gilles Aiken, AKA Edward, coming through with a massive Kalahari debut (and it’s safe to say he understood the assignment). Booting off on a massive remix tip as the veteran producer reinterprets Mike Parker & Aric Rist’s Trybet project, but trust him to allow for a moment of dancefloor introspection. It’s prime early morning gear in a rousing juxtaposition of beatific string harmony and tough-as-nails deepness. Triumphant ‘window shutters open in the club at 5 AM’-type shit. The other two are quintessential Edward: impressionistic, widescreen odysseys across lysergic terrain, but groove-forward where it counts. A pair of head-spinning explorations intended for the dancefloor, flush with shadowy flex, insectoid detail and tripped-out flourishes while keeping it funked-out in the tradition of Detroit. The ‘Deep Sea Villain EP’ plumbs the depths of smudged abstraction, and as we’ve come to expect from Edward, it’s big on hallucinatory detail. It all oozes the multi-layered surrealism that typifies his best work. Proper transcendent biz.

Knucklebrain techno touched by the sidhe & fermented on a HD for 30 years.

We Play House Recordings label boss Red D is back on his Red Basics solo outlet with more lo fi rawness, this time taking cues from spoken word deep house legends like Blake Baxter and Mike Dunn. Opener ‘The J Principle’ pairs seductive lyrics by the enigmatic Max Erotic with pure electronic house funk to make any soul melt. After this there’s no time to rest when ‘Raw Shit’ comes along with its wicked off-kilter groove spiced up with dirty lyrics and chord stabs to shake up those late night floors. On the flip side it’s all about Red D’s love for the 313 with a slamming oldskool Detroit techno track aptly called ‘Troisentrois Groove’. Basics were rarely this fundamental.

Studio di produzione – Takeovers Music Studio

Legendary Nature Boy returns with six slammin disco-inspired club bombs. Tracks were derived from original floppies from the early 90's. The time when Milo produced and released classics like Ruff Disco Volume One and Necessary Ruffness Volumes 1 and 2!

italian-born, Berlin-based DJ and producer Z.I.P.P.O delivers a deeply introspective release on Mistress Recordings. Blending raw electro rhythms, nostalgic soundscapes, and futuristic Detroit influences, "Mistress 17" is rooted in evocative emotion with the right dancefloor energy and cutting-edge production - the perfect return for DVS1's sub-label.

The iconic DJ Sotofett comes with a real treat--a 12-track album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80's Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound. Prepare for an exhilarating journey filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to groundbreaking avant-garde electro cuts. Each track intricately weaves together influences from over 40 years of electronic dance music, inviting listeners to explore the rich tapestry of genres that have shaped the landscape. As you delve deeper, you'll uncover the intricate layers and innovative production techniques that define Sotofett's distinctive style, transforming this album into more than just a collection of tracks -- it's a true sonic adventure that beckons you to listen, dance and dream.

The next chapter in Axis Expressionist Series. A collection of vinyl and limited digital releases, curated by Jeff Mills of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works. ''Imperfections are a natural part of the world, and they can make us beautiful and unique: Nothing and everything is perfect. We can be contorted, bent in weird ways, and still we're beautiful.'' A Star Child is the idea that a person can be incomplete and not self-aware, yet accept their imperfections and still direct their influence despite the arrangements of periodic and trending consequence. It can also mean that imperfections can make admirable qualities stand out more clearly. The Star Child reveals.

2025 repress Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler. Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for. The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house. Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!